Victim or Conqueror: Interiority vs. Exteriority of Ahab in Moby-Dick (4 Pages)
“They’s Integrated!”: Racial Identity in O Brother, Where Art Thou? (12 Pages)
Fear or Duty: Foreigners in The Tempest (7 Pages)
The Novel’s Function: The Anti-Aesthetics of H.G. Wells’s A Modern Utopia (7 Pages)
Blurred Borders: Division in Amitav Ghosh’s The Shadow Lines (6 Pages)
“Forward!”: Social Progress in Chekhov’s The Cherry Orchard (3 Pages)
Personal Truth: The View of Religion expressed in The Complaint… and Treatise… (8 Pages)
